Showing posts with label Bard's College. Show all posts
Showing posts with label Bard's College. Show all posts

The Mountain that Does Not Move


"The Mountain that Does Not Move" was painted by Bentis, who is believed to be a human artist in the tutelage of the Vyrum during the Sixth Age. It is a famous work of art considered near priceless. 

There are two versions of this painting and the owner of each claims the title original, while indicting the other as a forgery. One hangs in the Old Temple of Moder, in the city of Treft. The other is in the Hall of Art at the Bard's College in Ald Ciula. 

Parade of Lanari


"Parade of Lanari" was painted by Sylvio Firena and is a famous work of art. 

It depicts the fall of the house of Lan after the death of the would be emperor of Vyruma Serpentis.

Its subject and style have been imitated many times over and the value of its reproductions is based on how true they are to the original. It hangs in the Hall of Art at the Heralapix of Ald Ciula. 

Siege of Ald Dovaris



"Siege of Ald Dovaris" was painted by Sylvio Firena and is a famous work of art. 

It is his rendition of part of the Taming of the Serpent. Like many of his works, sages of history question its accuracy as Agronar the Conqueror is not known to have had siege equipment at Ald Dovaris or elsewhere. 

The original hangs in the High King's gallery of art at Kathmbir Keep in Peakshadow.

Fair Berronar



"Fair Berronar" was painted by Sylvio Firena and is a famous work of art. 

Some argument exists whether it was an attempt to render the famous "Glorious Woman" colossus as a human girl. Gone are her wings and cup, but the facial similarities are unmistakable.

The original hangs in the Hall of Art at the Heralapix of Ald Ciula.  

Cavalier Resplendent



"Cavalier Resplendent" was painted by Sylvio Firena and is a famous work of art. 

Firena's curiousity about previous ages again emerges in this work. Its subject would appear to be that of a Vyrum Cavalier, but historians find the work incongruous as there is no evidence of the widespread use of bears as mounts during the 6th Age. Some have called this "Sylvio's Whimsy" as a result.

Nevertheless, its subject and style have been imitated many times over and the value of its reproductions is based on how true they are to the original. It hangs in the Hall of Art at the Heralapix of Ald Ciula.  

Favored Pet




"Favored Pet" was one of the latter works by Sylvio Firena and is a famous work of art. 

The subject is that of a dragon and a maiden asleep. Its title is a question and many sages of art have argued over which of the two is the pet.

The original hangs in the Hall of Art at the Heralapix of Ald Ciula.  

The Fisher Baron




"The Fisher Baron" was painted by Sylvio Firena and is a famous work of art. 

Its subject was reportedly a jumped-up baron of Bolden who enjoyed his trade long after he had any need of it. The picture is a curious juxtaposition of two different styles of fishing and it isn't clear that the baron would have practiced either. 

Sometimes called Sylvio's Folly, it was painted while Firena was still a student at the Heralapix. It lacks the presentation of his later work and is often presented as a case of the artist not knowing his subject well enough to communicate it to his audience. Despite it's odd character, it is a painting held in very high regard. 

The original hangs in the Hall of Art at the Heralapix of Ald Ciula.  

The Fifth Virgin





"The Fifth Virgin" was painted by Noris Tuwar. It is a famous work of art and painted as it's subject, a noble woman of Southrun posed for it. The noble woman did not care for the work, resenting its libidinous undertones and demanded another be made. Noris secreted the original out with him as he was ushered from her remote palace. 

While the curious name of this work has been debated, most sages of art believe that the reference to virginity came from his attempt to belie any titillating aspects of the painting, and that the number refers to how many times he attempted to mollify his patroness.

Noris himself came to an untimely end... apparently his love of wine was his undoing as he was found dead of extreme intoxication in his art studio. This painting was well-hidden in his personal effects and was recovered only when the Heralapix came to take custody of the body of one of their Accomplished Masters.

The original now hangs in the Hall of Art at the Heralapix of Ald Ciula.  

The Fair Widow



"The Fair Widow" was painted by Sylvio Firena and is a famous work of art. Sylvio was a student of history and based his painting on the death of Faen. The painting purports to be that of Aerdrie Faenya the elven matriarch, though it is well known that Sylvio had an art student and paramour sit for the portraiture. 

The work was presented to a elven nobleman but was famously rejected by the recipient. Reportedly he called it the picture of a human strumpet gussied up with folk ears.

It is considered a masterpiece. Its subject and style have been imitated many times over. The original hangs in the Hall of Art at the Heralapix of Ald Ciula.  

Seaward Enclave of Triumphax




When a bard returns from his Practice of Tenure, he comes to Heralapix and presents his Magnum Opus to the Professing Masters. In attendance are those who are already Masters of his chosen art, and any Grand Masters of any art who desire to sit in. If his work is favorably graded, he graduates and earns the approbation of his peers and the Professing Masters alike. He will often be invited to join their ranks and live out his life as a member of that faculty. 

Depending on the art form he wishes to demonstrate, the bard will find himself at one Enclave or another. This particular one is called the Seaward Enclave of Triumphax and is generally used by those who will demonstrate oratory, dance or the dramatic arts.

The Heralapix in Ald Ciula



Ald Ciula, the Provincials call it. The Bard's College, others say... but everyone who has attended there calls it, Heralapix. That is an insider's nod to the school's founding during the glory days of the Vyrum Empire.

The road there leaves the shores of the Dagger Sea and winds along an artificial river flowing down from the mountains. The Way the road is called and it sweeps wide just before coming to the city gate. There travelers can see that the granite face of the mountain has been carved and shaped into the massive visage of the Glorious Woman. Her arms are stretched out before her and she seems to greet all who approach.

It would be wrong to grant this monumental carving to the Vyrum. Great artisans and architects were they, but the sculpture predates the 6th Age. Indeed, some say it had its origin before even the First. That would be the Age of Chaos when the elemental powers were tamed and the first of the celestial beings gave up their estate to join themselves to this world.

But it was certainly the Vyrum who turned the sacred place to a place of learning. In those bygone days, the Vyrum took humans from the uncivilized tribes of nandi and taught them. They taught them to read and write. They introduced them to art and music and poetry. They gave them gifts of sculpture and architecture. They gave them philosophy and religion. It was the Vyrum who first called them meni. But there was one Practice that the Vyrum were not prepared to share with the younger race.

The Practice of Llor, or what the Dwarves call majk, was forbidden to all but the great matriarchs of the Vyrum race. Ceding such power to others was widely prophesied to mean the end of their people. The Vyrum remembered that their civilization was built on the ashes of the Elven Empire, and that those Elves had squandered their right to rule all Erenth by unleashing Llor-created monsters on the world.

Still the highest Practice of the Vyrum was expressed in their three-fold philosophy... ciur, ciura, ciavala (wine, women and song.) In recognition of that, they sought to make the most talented of their meni servants into skilled Llorvala (or lore speakers) who could embody the highest order of their hendiatris.

Generations of meni were schooled at Heralapix before the Vyrum Empire was brought low. Then the rule of mankind rose on the ruins of the Vyrum. From the wilds the rest of the nandi came, settling into cities and taking what they could salvage from the civilization before them. They had the meni to teach them. Over centuries they grew, some of the descendants of the meni became nobles and kings among their barbaric cousins.

Since the Vyrum vanished from the face of Erenth, only scattered ruined monuments of their culture now remain, but there is none so enduring as the Heralapix. Seemingly untouched by the passage of time, stepping foot on the campus is like returning to a bygone age.

Even now, in the 7th Age, a student may only be admitted by the Practice of Legacy. That is, they possess the written recommendation of a previous graduate of the College. All true bardic practitioners, not the mere pretenders (minstrels, jesters, troubadours, mummers and other prostitutes) which set up shop in every tavern across the Four Lands of Erenth can boast an broken line of succession from the first of the Llorvala. And even the lowliest skald of Northrun can boast this pedigree.

Graduation is not granted to all who attend. For after a period of study (usually between one and four years) every Bard must compose a Opuscule and perform it to the satisfaction of the Professing Masters. Not a few of those works have been inspired by the beauty and wonder of their beloved Ald Ciula and the campus of Heralapix -- or perhaps by the sorrow of having to leave it.

If his Opuscule is favorably graded, the Bard leaves and is forbidden to return to the campus until he has made his Practice of Tenure in the world -- that is, "the Way is closed" to him. Not just closed to the graduate without Tenure, either. The Way is permanently and irrevocably closed to the many, many former students who either drop out of the Bard's College or find their Opuscule unfavorably graded.

For this reason, the sons and daughters of many lords have found admission to the Bard's College for a year, or more; and are considered Poetasters -- perhaps highly skilled and well-instructed, but not full Bards in any true Bard's estimation. Some families even consider the Bard's College a finishing school of the arts, and feel no shame that the "Way is closed." Neither they, nor their children had any real bardic aspirations in the first place. So winning the favor of an old cadre of singers, dancers, musicians and actors means no more to them than the approval of any commoner.

For the graduate, however, there is nothing more important than proving his Practice of Tenure is complete. After his sojourn in the world is up, the Bard may return to Heralapix and present his Magnum Opus. If it is favorably graded, he gains the approbation of his peers and the Professing alike. He may even be invited to join their ranks and live out his life in the idyllic city.

On the other hand, if his Magnum Opus is unfavorably graded, the Bard must return to the world and may only attempt to redeem himself in the students he manages to produce. He would hope to send them under the Practice of Legacy to the Bard's College.